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Monday, May 28, 2018

Tuesday Club To Release New Single 'Always Taking Things Too Far' on 15th June





Literally half the band they started out as, now a 4 piece from the initial 8. From a hugely promising initial organic debut album - See you next Tuesday... they moved to their 2nd official release by way of a quadrilogy of 4 eps. Having played a fantastic promo tour for ep1 my consciousness, the TCs were literally rocked and almost derailed by the tragic death of drummer Terry Super Cockell, the subsequent releases were put out in a daze and not with a little help from dep drummers until the arrival of Current sticks man Blairski. The good ship ship Rocked and tilted violetly following the penultimate ep release lady gargar and subsequent defection of Bass, vocals and guitars but somehow steadied leaving the current 4 piece to regroup and begin work on their ‘comeback’ Art is Magic

And so, The Tuesday Club return to the fold after a 3 year ‘release’ absence - Their last releases being 2015’s EP Quadrilogy. With the line up now half of it’s original eight and a new look, ‘The TCs’ have stripped away much of the old ‘glamour’ replacing it with a new urgency and directness.

Art is Magic is a story swathed in gallows humour of a band brought to the edge by disaster, but who gritted their teeth and came back from the brink with renewed vigour!

“The Tuesday Club are synth punk pop at its catchiest if you’re thinking about Blondie and Roxy Music you’re on the right track... it’s infectious and uplifting” - Vive Le Rock


www.thisisthetuesdayclub.co.uk
www.twitter.com/thetuesdayclub1
www.facebook.com/thisisthetuesdayclub
www.youtube.com/user/thisisthetuesdayclub

Sunday, May 27, 2018

Killing Eve 1x08 God, I'm Tired Review: "This Hurts"






WHAT. A. FINALE.

In theory it really shouldn’t have worked. The season ended on a massive cliff-hanger. We’re still no closer to knowing who exactly Villanelle works for. Some will undoubtedly walk away from the episode feeling extremely short changed. Maybe even questioning whether or not the hype really lived up to it all.

But where these questions are posed, it feels important to remember the show we’re watching. Essentially our typical cat and mouse game, but with two outstanding actresses leading the way, instead of the stereotypical female Detective hunting for a man. The writers have always been extremely aware that they’re essentially turning tropes on their heads, doing exactly what we would expect a television show not to do, and we got that in bundles in the finale. We were also treated to some absolutely cracking dialogue, high body count and THAT moment between Villanelle and Eve.

Backing up for a second here and let’s recap just what went down. Villanelle had indeed kidnapped Konstantin’s daughter, and used her as an unwilling accomplice. They both drove each other absolutely crazy. Konstantin went to Carolyn for help, and they were joined by Kenny and Eve who had defied Carolyn’s orders and not actually gone back to London. Over a breakfast, Konstantin told them his daughter was extremely annoying, and would drive Villanelle insane with how annoying she was which would lead Villanelle to kill her.

That conversation started out quite light hearted with Konstantin almost joking over the prospects of his daughter dying, but things very quickly turned serious, as the weight of the situation hit home. Having retrieved Villanelle’s secret stash during her visit to Anna’s place last week, Eve knew that an assassin on the wire without any resources would be going to her safety place. Carolyn was momentarily stunned that Eve had actually met Anna, but there wasn’t any time to dwell as Konstantin and Eve teamed up to go to Anna’s place.

They were of course beaten there by Villanelle and her unwilling accomplice. It didn’t take long for Villanelle to sneak into the flat, discover her stash was missing and be confronted by Anna.

Killing Eve has had many things going for it since it first began. Wonderful actors, great humour, lovely scenery, and of course the writing. It is always top notch, knowing when to be funny, when to be serious, and giving us information without feeling as though we’re listening to an information overload.

When Anna saw how bruised Villanelle’s face was, she couldn’t help but feel for her. Villanelle murdered her husband, essentially robbing Anna of the love of her life, and leaving her to continue living in an empty existence of sorts. She’s spent all these years just hoping for Villanelle to turn back up, so that she can kill her and avenge her husband’s death, and yet she can’t help feeling concerned by how bruised Villanelle is. It reminded me somewhat of how angry Eve was at Villanelle for killing Bill, and robbing her of a friend and his child of a father, proclaiming how much she hated her and wanted her dead and yet during their time together in episode 5? Well most of that hatred went out of the window and was replaced by a hungry desire to know more of her subject.

It’s just the effect Villanelle has on people and she’s more than aware of it. Most of the time she uses their curiosity to her advantage. On the occasion she’s equally wrapped up in curiosity and that causes her to let her guard down, but more on that later. During their confrontation in the flat, Villanelle and Anna both proclaim that they seduced each other, and Villanelle takes great joy in confirming that she and Anna were intimate. Not really a detail that should surprise anyone as it was blatantly obvious last week, with the way in which Anna angrily greeted Eve’s question.

Villanelle and Anna are soon both threatening to kill each other though. Anna reiterates she’s waited a long time for this day and knows that she should want to kill Villanelle. She though knows that Anna just doesn’t have it in her. She admits that she used to love Anna a long time ago, but she’s over that now, since she basically has a new toy to obsess over, and unlike Anna? She can and will actually pull the trigger and kill her. Whilst she may be unable to kill Villanelle, she is able to kill herself.

To an extent Anna dying wasn’t shocking. At the beginning of the series she may very much have been on Villanelle’s mind, with Konstantin having Anna’s name brought up to prove that Villanelle wasn’t fit to go back to action. But the show has come a long way in 8 episodes. Finally having Anna on screen last week served its purpose in giving us further information about Villanelle’s origin. We now know her connection with Konstantin was far deeper than we were originally led to believe. She was on hand to warn Eve that she is exactly Villanelle’s type, and for their conversation last week to have Eve equally jealous as much as she was fascinated. As I say the show is about Villanelle and Eve, and we don’t need another person being added to the mix. Having said all that though, I was completely convinced Villanelle would be the one to kill Anna. To finally confirm that she really was over her. From Anna’s point of view though, Villanelle has had enough power over her life, so of course she wouldn’t let her be the one to kill her. It’s almost like a final act of defiance.

With Anna dead and still without any money or resources, Villanelle’s getting a bit desperate. So she calls up Eve and arranges to meet her and Konstantin. The show has so far been excellent I knowing when to build the tension and when to give us a break, so Eve questioning Konstantin over his connection to Villanelle in the car, and then threatening to shoot him as he’s trying to have a wee? Exactly my type of humour. Konstantin then reiterating that he still had his bits hanging out, and Eve’s disgust as she was faced with it was just top notch, and it’s moments like these that the Britishness of Killing Eve really shines through because an American show just couldn’t pull this off.

Further confirming all of this, Villanelle and Konstantin’s daughter are in a tea room just minding their own business, and Villanelle can’t resist teasing her over her photo. They’re soon joined by Konstantin and Eve, and Villanelle greets them by holding Konstantin’s daughter at gun point. As the people around them cower, Villanelle’s extremely joyful at being the crazy lady with a gun. Konstantin and Eve are soon trying to negotiate for his daughter’s release. Eve hands over Villanelle’s stuff and Villanelle does indeed shoot Konstantin.


Now I’m in two minds over whether he is actually dead. With TV shows and movies I go with the rule that unless we see the people bleeding out onto the ground, and the life completely drain from their eyes? There’s the possibility they’re not actually dead.

Killing Konstantin in itself would be an extremely controversial move. Some have grown to like him and his rather strange father/daughter relationship with Villanelle. He brings a level of humanisation to her that no other character can. Which is sort of why he has to die. It’s blatantly obvious that Konstantin knows far more than he’s letting on in many different aspects. Again the show is about the cat and mouse game between Villanelle and Eve, so having Konstantin hovering around saying cryptic words, and Villanelle keeping him alive solely for sentimentality? That’s just not the story the show is telling.

During the stand off in the tea room Villanelle is completely apologetic to the fact she has to kill Konstantin. She doesn’t want to do it, but they both know that she has to because it’s her job. If she lets him live? Well suddenly she’s not our non-stop killing machine, and is on the run from her employees for not doing her job correctly, potentially even giving into witness protection, and that again changes the whole complexity of the show.


The writers know this and even Eve herself knows this. When Villanelle shoots Konstantin, she could’ve attempted to shoot or even overpower her, and then seize the moment to arrest Villanelle or something to that nature. Instead she’s begging Villanelle to go with her so that they can talk, because she just wants answers from her. That’s not something Villanelle is at all willing to give, and she does of course get away and Eve lets her.

At the airport Carolyn confirms that Konstantin is indeed dead, which I’m still not quite believing, and tells Eve she’s out of a job. Carolyn knows she went talking behind her back, and whilst it may be a move she admires, she still has to put Eve in her place. As Carolyn said at the beginning of the show, she is the top dog in this house. She’ll handle Eve disrespecting other people’s orders and going rogue on them, but she won’t put up with it from Eve herself, and Eve doesn’t really have much of an argument. She was more than aware when she went to Vlad that there would potentially be consequences.

Whilst Carolyn and Kenny go ahead and board the plane to London, Eve gets a call from Elena which sends her off to Paris. She’s managed to track down just where exactly Villanelle actually lives, and Eve decides to pay her a visit, because she really can’t let this go.

At this point in time she’s lost her friend, marriage fallen apart, now her job, more people have died, and yet she’s still all about Villanelle. Eve bumps into her neighbour who it transpires is actually a spy keeping an eye on Villanelle. After some initial shrugging round the subject trying to be on the downlow, Eve is spotted attempting to break into Villanelle’s apartment and her neighbour gives her a key.

Villanelle obviously isn’t home yet, so Eve decides to have a good old look around. Smashes and drinks champagne bottles, goes through her bathroom and of course her closet. None of these are the actions of a police officer, or indeed any member of the law who just wants to see justice served. They’re the acts of someone who very much wants to know more about their crush. Villanelle does eventually arrive home, and notes that Eve’s had quite the party in her absence. Eve of course threatens to shoot Villanelle, but she mocks her by stating she can't do it as she likes Villanelle too much. Knowing she has a point, Eve instead asks Villanelle to sit down so she can bear her soul.


Finally facing up to herself, Eve admits she can’t stop thinking about her in every aspect. What she eats, what she smells like, who she’s with, where she’s with them. She just cannot get Villanelle out of her head and it has basically cost her everything she holds dear to her.

Now since the show first began, some have climbed onto the Villanelle/Eve ship so to speak. Sometimes we just can’t help liking characters we know we shouldn’t, and when you have two women giving off as much sexual tension as these two? You can’t help falling for it. I’m very much of the perspective that whether I agree or not? People are gonna ship what they want to ship. Personally myself I have found myself rooting for the odd problematic character over the year, but I’m always quick to remind myself that these characters have done bad things. They’re messed up, they hurt people, sure they have a tragic back story but that doesn’t erase anything that they’ve done, but as long as I remember all of this and never seek to excuse any of it? Then that is ok. I kind of feel the same way here. Villanelle is a dangerous psychopath who will kill without blinking, her obsession with Eve isn’t health and Eve’s very much reciprocal obsession isn’t either. But Sandra Oh and Jodie Comer just bounce off each other and the script so magnificently that logic often goes out the window.

During Eve’s speech to Villanelle I should be thinking ‘run girl, run!’ but I’m not. Another important point to make is that the writers had the season done and dusted long before it made its way to air. They obviously saw the subtext in the writing between the characters and decided to make that subtext something very real. Again I’m not going to criticize this because being a writer myself, I’m more than aware that your characters are the ones in charge of the story. A direction you might not have considered might suddenly pop up on page 10, and you just can’t help running away and having fun with it.

Throughout these 8 episodes we’ve seen Villanelle and Eve very much having fun with it. Since they first stumbled across each other, they’ve been each other’s addiction. Eve’s addiction has caused her marriage to completely fall apart, and put herself in danger constantly, yet never caring because she just has to have more. Villanelle’s obsession has seen her be slightly clumsy in her work in places, kill Bill when she wasn’t supposed to and take even more risks because she craves Eve’s attention.

After Eve spills her soul, Villanelle admits she’s just as obsessed with Eve as she is with her and outlines just what exactly she wants from life, and Eva agrees to stay for a bit in a moment that people will jump onto. I can’t at all blame them because it’s what the writers are serving up, and for a moment? I will admit when they were sat on the bed together I was expecting something to actually happen. Villanelle most certainly was ready for something to happen judging from her eagerness.


But just like with Konstantin and Anna’s deaths, if the show had actually gone there, and turned their obsession with one another into romantic feelings acted on? The show is over. We’re here for the build-up and chase between these two characters, not for them to actually do something with all that sexual tension, and that’s why Eve stabbing Villanelle shouldn’t at all be surprising.

Eve asks Villanelle if she'll kill her and Villanelle admits she won't, and calls Eve rude for having a knife. With Anna, she knew she didn't have it in her to kill Villanelle. You would've thought from their meeting in episode 5 that Villanelle would've learnt not to underestimate Eve. But she does, claiming that she doesn't have it in her to actually stab Villanelle and she very much proves her wrong. In episode 5 she promises Villanelle that she would find the thing she loved and take it away from her. Well, Eve has become that thing she at the very least has strong feelings for, and making good on that promise Eve takes it away from her. Villanelle is strangely enough genuinely gutted that Eve has betrayed her. It's not something that should surprise her because it's the type of move Villanelle would pull off herself, and once the moment of avenging Bill's death and proving to Villanelle that she can follow through on her actions wears off, Eve is hearing and seeing how gutted Villanelle is by being betrayed and regretting her actions. Granted she does that by pulling the knife out when Villanelle tells her not to, but that’s what happens when this is baby’s first time stabbing someone!

Eve rushes around the apartment to grab anything really that can be used to stop the bleeding, because she does genuinely want to help Villanelle but it’s too late for that. She let her guard down once and ended up stabbed, Villanelle isn’t risking that again, and starts shooting at Eve who screams she only wants to help. As Eve comes out of hiding, Villanelle is nowhere to be seen and her neighbour reveals she’s left.

It’s a cliffhanger that sets up a mouth watering second season. Eve is of course going to have to deal with the fall out of losing her job. Villanelle is obviously going to have to get patched up by someone, and what happens when they do meet again? Will Villanelle still be holding the grudge over being stabbed, and be determined to kill Eve? Is Eve going to be desperate to try and once again hunt Villanelle down? Or will she return to her husband and attempt to make things work with him? Will we find out just what exactly Carolyn’s role in all of this is, and who exactly wanted Konstantin dead?

It's a heck of a lot of questions and I don’t for one second doubt this shows ability to answer them. Killing Eve has been an absolute breath of fresh air. I’m someone who was previously familiar with Jodie Comer having watched bits of ‘My Mad Fat Diary’ and of course the excellent ‘Thirteen’. There’s never been any doubt in my mind that she is one of the best British actresses out there, and ‘Killing Eve’ has certainly raised her profile. There are really the words to describe just what exactly she’s done with Villanelle, but I really can’t imagine any other actress would’ve been able to bring her to life the way Jodie has. And of course where there is praise for her, there has to be praise for Sandra Oh. What she’s done with Eve Polaski, unearthing the many different layers to her, and as a result showing many different sides to her? It’s been excellent. She’s more than nailed the shows dark sense of humour, nailed every emotion that the script has thrown at her, and like Jodie, I can’t imagine any other actress being able to bring Eve to life the way she has.

Saturday, May 26, 2018

Adam Ant To Return to the Roundhouse on 19th December *Updated*





UPDATE:

DUE TO POPULAR DEMAND, POP ICON ADAM ANT ADDS A SECOND AND FINAL 2018 SHOW AT THE ROUNDHOUSE IN LONDON ON 20th DECEMBER

Tickets available NOW. These shows are his only non-festival appearances in the UK in 2018

After playing to more than 75,000 fans throughout the UK, North America, Australia and New Zealand, legendary pop icon Adam Ant returns to The Roundhouse for his second and final 2018 show on 20th December by popular demand. Tickets, on sale on Friday, 25th May at 10 am, are available from The Roundhouse, www.BookingsDirect.com and select authorised ticket agents. These shows are his only non-festival appearances in the UK in 2018 and there are still a few tickets available for the nearly sold-out show on 19th December. For more information, visit www.Adam-Ant.com.



ORIGINAL POST

After playing to more than 75,000 fans throughout the UK, North America, Australia and New Zealand, legendary pop icon Adam Ant returns to The Roundhouse on 19th December by popular demand. Tickets go on sale on Friday, 11th May at 10 am available from The Roundhouse, www.BookingsDirect.com and select authorised ticket agents. For more information, visit www.Adam-Ant.com.

From his early days in London as an underground, post-punk artist with a cult-like following to his explosion on the world stage that would lead him to become one of the most iconic artists of the 80s, Adam’s musical career spans the course of nine albums and 25 chart-topping singles around the world.

Adam, who has sold more than 40,000,000 albums, had eight singles in the Top 40 in one week, globally.

Adam’s debut album, “Dirk Wears White Sox,” was the first number-one album in the UK on the newly-created UK Independent Albums Chart that debuted in 1980. His follow-up album “Kings of the Wild Frontier” catapulted him to the world stage, spent 12 weeks at number one in the UK, and produced three chart-topping singles: “Dog Eat Dog,” “Antmusic” and “Kings of the Wild Frontier.” It also featured his trademark Burundi Beat style of Central African drumming, a musical signature that remains to this day.

As Antmania continued to sweep the nation, his third album, “Prince Charming”, introduced his landmark single “Stand and Deliver” that crowned the UK Singles Chart for five weeks and entered the US dance chart.

In the United States, his fourth album, “Friend or Foe” with its massive hit “Goody Two Shoes” and follow-up hit “Desperate But Not Serious”, turned him into a household name and earned him a GRAMMY nomination for Best New Artist in 1982.

Adam will play his classic chart-topping singles as well as rare singles, B sides and personal favorites. For more information, visit http://www.adam-ant.com.

Nick Summerfield Releases New Single 'Shelter'







Nick Summerfield is an electro-pop musician from Sydney. Self-taught and born in Wollongong, Australia, he picked up music during his teenage years and at the age of twenty moved to Sydney to pursue his passion. Nick has had his works across Film, TV and performed in The 2018 Macy’s Thanksgiving Day Parade. 2018 marks the start of his career as an artist.

Shelter started in a hotel room in Los Angeles in January 2016. It was produced by SZABO at Ringtail Studio and mastered by Andrew Edgson at Studios 301 in Sydney. It was released on Monday 15 January, 2018, which marked the two year anniversary since it was started.

“Shelter is a story of my personal growth. I was in a pretty unhappy place when I started writing, but I knew the only person that could change that was me. The lyrics talk about facing truth and confronting yourself – I had to look at myself, my flaws and questioned if I was good enough during those times of instability and vulnerability.” - Nick Summerfield

This track is a great first step for Nick in finding where he sits as an artist – blending pop with a sense of individuality.

For Fans Of: Lorde | Troye Sivan | Years and Years

‘Shelter’ is out now on all good digital stores.

www.facebook.com/NickSummerfieldMusic
www.instagram.com/nicksummerfield

Humans Episode 3x03 Promotional Photos, Promo + Press Release





Promo





Press Release

The critically acclaimed drama series continues for a third series. Laura (Katherine Parkinson) is determined to uncover the truth about Operation Basswood and tries to enlist Dr Neil Sommer's (Mark Bonnar) help, but things take an unexpected turn. Mattie (Lucy Carless) and Leo (Colin Morgan) return to the Hawkins home as Leo struggles to come to terms with being human. A surprise night out allows them to confront their feelings for each other. Against his initial judgement, Joe (Tom Goodman-Hill) decides to help Karen (Ruth Bradley) with Sam (Billy Jenkins). And Niska (Emily Berrington) receives a mysterious message. Writer: Debbie O'Malley; Prod: Vicki Delow; Dir: Al Mackay; Exec Prods: Derek Wax, Emma Kingsman-Lloyd, Sam Vincent, Jonathan Brackley; Prod Co: Kudos in assoc with Wild Mercury



Promotional Photos

Friday, May 25, 2018

Coronation Street Review: "Actions and Consequences"







Tonight's Coronation Street is basically the appetizer for next week. As you're probably very much aware, next wekk is Britain's Got Talent week and where Coronation Street gets moved to 9pm. It allows the writers to push the boundaries a little bit more, with storytelling they wouldn't get away with pre-watershed and of course for the special week of episodes a big storyline has to take centre stage. For this year it is Phelan.

With that in mind, he featured quite a bit tonight. He's still in contact with Nicole from afar on the parenting site. Gary is still very much suspicious of this new found friend Nicole has made and continued to make enquiries to ascertain whether anyone has seen him, specifically in Wales. Eileen and Nicole continued to shrug off his fears, very much willing to believe the police's word that Phelan isn't behind the stalking. The police are of course correct on that front as stalker Faye continued to hang about tonight. Unfortunately her actions are severe consequences for Nicola, who home alone heard a sound, went to investigate and ended up slipping down the stairs and winding up unconscious.

Thankfully Cathy and Fiz heard the noise out on the street, and are quick to contact Eileen who gets into the house and goes to Nicola's side. Faye though watches all this going on with a tinge of guilt. The endgame to her stalking we haven't had hints of yet, but tonight was a fine example of how sometimes your actions can have consequences for the unintended. She does fortunately regain consciousness though isn't out of the woods.

Faye very much has regret for her actions and does eventually confess that she has been responsible for the stalking to Seb. Wanting Eileen to pay for Anna being banged up is completely understandable, but her actions aren't at all. She was partially responsible for Anna's imprisonment and Seb's disgust with her is justified. At the hospital Eileen is there with Nicola every step of the way. Unfortunately the fall has had some very bad effects on Nicola, and she's forced to given birth early. Giving us a bit of a Holby City crossover, Eileen goes into the operating room to give support to Nicola. She does very much thankfully give birth to a love little boy, but just like with Eve giving birth there are some afterbirth worries momentarily before he starts crying.

Seb does later inform everyone that Faye is responsible for the stalking, and I'm glad that's one reveal that wasn't dragged out. No-one can quite believe it though, especially Tim, and unfortunately Gary is absent from seeing his newborn son but Sarah is there in his place. Gary is of course hard at work, tracking down Phelan and seeing with his own eyes that he is indeed alive, and trying to put a plan into action.

David meanwhile was trying to get used to his newfound freedom, with Shona continuing to support him, even giving him details of a helpline so he could talk to a professional as he worries about no-one believing that he's been raped. With Shona's actions obviously getting to him, Josh decided to hit back tonight by poisoning Max against David. We already knew he was a scumbag, but telling Max that David will never love him as much as Lily because he's not his actual son? Completely and utterly disgusting. For us it's obvious that Josh is just trying to get a rise out of David, and that he does get as David is incensed by max's words and orders him to stay away from Josh, before then storming into the cafe to confront him. Doing this in front of a bunch of witnesses probably isn't the wisest idea for someone just out of prison.

They do of course actually break out into a fight which Shona manages to pull David away from whilst Alya is completely stunned, and she's not the only one. Shona does eventually manage to talk some sense into David, but he does still need to speak up and tell someone what Josh has done. His hesitancy is completely understandable, but Josh is going to continue to push him into acting out and getting back behind bars, and with no-one knowing the truth his actions do look quite bizarre. Fortunately David does in the end heed Shona's word and give the helpline a call. It's an extremely positive step and a reminder that none of us are alone; help is always at hand we just have to have the strength to reach out and accept it.

The one good thing to come out of all of this though is Alya decides to put the breaks on her and Josh. She doesn't know what the drama is between him and David, but she doesn't want any part of it. Josh does somewhat accept this and proclaims he may just move away, which obviously leaves Alya with a bit of food for thought.

David Issac may not get a lot of things right as a writer (yes he was back tonight and suddenly I wasn't quite so sad by the absence of Rana) but he did give us fleeting viewers a bit of a catch up on Ryan 3.0. It's almost as though Coronation Street realized putting the 3rd new face to Ryan Connor in under a decade might be a bit confusing, so tonight he paid old flame Tracey a visit. She dated Ryan 2.0 in an attempt to get back at Steve and Michelle and claimed that she was pregnant and Ryan 3.0 claims she owes him an apology for breaking his heart. What he's really after though is free flowers which Tracey does eventually give in to. he also has a mini catch up with Steve, inviting him to Robert's stag because that isn't awkward at all. Tracey's quick to reassure Steve he doesn't have anything to worry about with her ex around, and Steve's quick to assure Tracey that she's past it so he's not worried at all.

When we have had a couple of weeks that have been so heavy with drama? it's nice for Coronation Street to switch gears and allow any episode to delve deep into the comedic aspects of the show. Plots are still moving forward, we get a nice little rotation with the characters, and it makes for an easy enough Friday viewing.

Ryan 3.0 is later treating the Connor ladies to a mini show of his stag night costume, where he is dressed up as one of the Gallagher brothers. Michelle warns him not to go too crazy with Robert, obviously worried for his health, but keeping that little fact a secret from everyone? causing quite a few misunderstandings. Michelle covers her concern with Kate by claiming that Aidan is still on her mind, whilst Ryan at the pub is trying to get Robert to drink when he shouldn't be and misinterpreting his hesitance as being stuck up. It also does help that Ali is the one backing Robert up and trying to keep him going nice and steady, since Ryan and Ali are still not exactly seeing eye to eye. Robert is obviously uncomfortable with Steve at the stag because who really wants their fiance's ex husband joining them, and Tracey's in the corner attempting to flirt with Ryan 3.0 to make Steve jealous.

Because soaps can't have a wedding without some form of drama, it's obvious Robert and Michelle's drama is going to revolve around Steve. He has more of a connection with Ryan 3.0 than Robert does, knows more about the situation than him so obviously Michelle can talk with him about things she wouldn't with Robert, and given how much Ryan 3.0 is dubious over whether Robert is really suitable for his mother and bringing up her relationship with Steve? You can already see where this is going.

Steve and Ali do of course get talking with both of them extremely concerned over whether Robert is suitable for Michelle, and Ali reveals all on Robert's latest health issues completely unaware that Michelle does know. Rana was the most recent victim of David Isaac's plowing through plot for the sake of storyline, and granted tonight was a bit of a collaborative effort with two different writers, but still Steve emerges as the latest victim. There hasn't been any real hint that he still has feelings for Michelle. He's seemed to be loved up with Tracey and happy with just being Michelle's friend. Yet tonight he's calling Tracey's mock attempts at making him jealous pathetic, and insinuating he still has romantic feelings for Michelle, and maybe Robert isn't right for her (We do all know Carla is the answer to this but hey!).

Ryan 3.0 does soon tell Michelle of his concerns and is once again bringing up Steve, because he's apparently their #1 shipper. And of course because of plot, Tracey decides to go off with the stags to continue the night, whilst Steve stays back coincidentally with the hens and Michelle. He does gently try to question Michelle on whether she thinks she's rushing into the wedding. Her thoughts are very much focused on Aidan, he's just worried about letting slip Robert's health issues.

Strangely enough the Connor girls decide that their hen party is going to be low key and classy. Their version of this involves dressing up and drinking loads of wine at Michelle's flat. Kate continues to look gloriously tomboy-ish as she seems to have had a bit of a wardrobe change recently (I guess your girlfriend moving in with you does that) of course part of her look may probably be her grief over Aidan, but given so much screen time as of late has been saddled in Zeedan? It's nice to see her join the rest of the Connor ladies and Marie in having a care free laugh. Would've been even better if Rana had been joining them, but we can't have everything. The evening isn't completely carefree though with Carla accidentally offending Maria by bringing up the disaster that was Aidan's wedding day (Marie gate crashed it). At the Rovers the Connor women do take a moment to reflect on the fact Aidan will be missing the big day, and again I'm going to cry over the lack of Rana tonight.

Continuing to prove she is under-rated, Gemma was also on fine form tonight as she helped land Rosie a modelling gig. The fact she did this whilst admitting she didn't really care about Rosie's drama but still wanted to hear the gossip? Extremely amusing. Gatecrashing the interview at Underworld didn't exactly go off without a hitch though. At first they're not particularly interested in Rosie and Gemma really has to sell her, and Rosie of course then discovers one of the agents involved is her ex.

All in all, tonight's double bill was a great set-up for next week, even if it wasn't the best of writing. There's no denying that Coronation Street are the experts at balancing humour with the more hard hitting storylines and I cannot wait to see what next week produces.

Riley Clemmons, Dreamers, Good Charlotte, Panic! At the Disco & Goldfrapp Are Our New Music Friday Picks





Here at CONTROLRadioUK we're always on the look-out for music be it for the playlist, or just because we think the tracks are pretty neat. And on New Music Friday, we're bringing you a select choice of the freshest tracks released this week.



We are now very much approaching summer, so it's of course time for Pop/Dance songs to take over the airwaves. It's an extremely polluted market full of repetitive, bordering tedious songs, so it's always great when a song manages to stand out in the crowd. Riley Clemmons isn't an Artist I've come across before, but 'Better For It' is a fantastic song. Musically it's a nice mix of genres, builds to actually go somewhere, the lyrics are catchy and tell a pretty neat story. The video doesn't exactly match the lyrics and is lacking a bit storywise, but none of it detracts away from the song.





Sometimes you just come across a song that is totally you. 'Screw' is most definitely one of those songs. Very reminiscent in its nature to another of my favourite bands Naked and Famous, and given this is the first time I've ever heard of Dreamer? It's a great introduction to them. They will also be setting off on tour later this year which you can find more details on here and 'Screw' absolutely needs to be rooted to your bank holiday party playlist. It does an excellent job of producing a track full of surprises, with many different genres of music all mixed seamlessly together and a chorus that will very much get stuck in your head.





Good Charlotte are a band I haven't heard of since my teen rock era, but they have been regularly producing new music over the last few years. 'Actual Pain' isn't anywhere near as painful as the title suggests. It's once again a lovely mix of musical genres (yes this is another new music Friday where I've accidentally created a theme), heartfelt and somewhat poignant lyrics and an epic instrumental break as the song reaches its climax.





Am I really excited for "Pray For The Wicked's" release? Most definitely. All of the pre-album releases have so far been fantastic and 'High Hopes' is no different. It's got the typical anthemic chorus that Panic! At The Disco does so well, and gets better the more you listen to it. In case you missed the announcement, the album is out on June 22nd but you can pre-order now!





Goldfrapp is another Artist I haven't listened to since my great teen years, but she has still been releasing songs on a regular basis. Breaking away from the Pop/Rock fest of this weeks New Music Friday 'Ocean' is an extremely moody, dare I even say haunting song. Absolutely excellent and I wouldn't be surprised to hear this featuring on a TV show at some point in the future. 'Ocean' sees her dueting with Dave Gahan and their voices combine effortlessly and beautifully. Neither overpowers each other or the message of the song, letting the music very much speak for itself and it is lovely to listen to.