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Monday, November 27, 2017

Legends of Tomorrow 3x14 "Amazing Grace" Episode Post





Sneak Peek 2





Sneak Peek





Promo





Promotional Photos


Source: SpoilerTV



Press Release

DC’S LEGENDS OF TOMORROW
“Amazing Grace” — (8:00-9:00 p.m. ET) (TV-14, L) (HDTV)

IT’S ALL ABOU THE MUSIC — When the Legends learn that a mysterious tragedy destroyed Memphis in 1954, thus eradicating the birthplace of rock and roll, they embark on their most important mission - to save music. Nate (Nick Zano) is excited to show Amaya why music is important to him and he is surprised it leads to a rock legend as well as the sixth and final totem, the Death Totem. Meanwhile, Zari (Tala Ashe) helps their newest member try to adjust to the team. Caity Lotz, Brandon Routh, Dominc Purcell, Maise Richardson-Sellers and Keiynan Lonsdale also stars. David Geddes directed the episode written by Matthew Maala & Tyrone B. Carter (#314). Original airdate 3/12/2018.

Source: The CW

Wednesday, November 22, 2017

CONTROLRadioUK Reviews: Ten Years





After ten years, Aly & AJ are back with a banger of an EP in ‘Ten Years’.

Taking such a long break from any industry can always be considered dangerous, but with Aly & AJ it feels right. They, like their fanbase, have grown a lot in the last ten years and their music reflects that. It’s a completely different direction to the music they’ve previously released and very much refreshing. Nothing in it feels manufactured, or done to keep up with the times, like so many Artists are guilty of.

‘Take Me’ was very much the correct choice in lead single. I absolutely adore the chorus and never stop dancing when it comes on shuffle. Musically it has a bit more power in it than the rest of the EP, and is a song that will get stuck in your head fast.

The rest of CONTROLRadioUK HQ disagrees with me, but I really like ‘I Know’. It’s a little softer than ‘Take Me’ which I’m actually glad about. Its still got that 80’s synth pop sound, but it’s done in a way that makes it feel current. Just like ‘Take Me’, the chorus will probably be stuck in your head for a while.

‘The Distance’
is another great song, probably my second favorite of the EP. It’s a really nice ballad, with the lyrics telling a story many can emphasize with. ‘Promises’ is without a doubt my favorite. Reminds me very much of Allie X, and it’s such a laid back song you could enjoy on a long car ride on a windy road, but crucially it’s laid back without feeling lazy.

The songs may all have a similar sound to them, but none of them feel repetitive. Each offers something unique, and it feels great to have them back.

Tuesday, November 21, 2017

'My Cure' By James Parkin





Written By James Parkin

My name is James Parkin. I’m a singer/songwriter/guitarist aged 42 and live in Basingstoke, originally from Southampton.

Its a cold Thursday evening but life is good...this time last year I was lying in Intensive Care, with leeches on my face.
I've come a long way in 1 year.

2 weeks ago I was interviewed by the BBC about my work with Cancer Research UK. Today I hit 43,000 followers on Facebook. This coming weekend I'm being filmed by ITV at the Facial Palsy UK Charity AGM talking about my experience with Cancer, Facial Palsy and performing songs about that experience from my debut Album of original songs called 'My Cure'.

I’ve been singing since I was 8 and playing guitar since I was 15. I released two albums of cover versions in 2011 and 2015 respectively and in January 2016 I promised myself I would write one song per month and make my first original album by the end of the year. However two weeks later I was diagnosed with a particularly aggressive cancer of the parotid gland.

Unfortunately, the tumour had wrapped itself around my nerves, so when the surgeons removed the tumour, they also had to sever my facial nerves on the right side of my face leaving me paralysed on that side of my face.

Next came radiotherapy, which caused a complete loss of taste buds, not to mention wearing a horrible mask that pinned me to the table whilst they blasted me with radiation for 10 minutes a day for a couple of months.

I couldn’t smile. I missed not being able to smile more than anything. People smile at me all the time – I just grimace back at them. I wanted to be able to smile at my daughter on the outside, not just on the inside. They took a nerve from my thigh and put it into my face, complete with its own blood supply from my groin. That operation took 14 hours. It didn’t work first time round and I haemorrhaged, so the nurses applied leeches to my face to try and control the blood flow for a couple of days. That didn’t work so they re-did the operation which was also not without its complications meaning I was then in intensive care for about a week - much of that time 'asleep'.

As if things couldn't get any worse, when I woke up Donald Trump was President!

After about 10 days I was able to go home. I had a massive lump of fat on the side of my face keeping the nerve warm. I looked like the elephant man. I cried when I saw it. Cried harder than I’ve ever cried. I then had a platinum chain put into my eyelid to help me close it and a sling put under my eye to help keep it the same height as my other eye. I’ve had quite a bit of Botox. But so far, nothing has made much difference (except I have lots of scars). Still no movement. Still no smile.

Throughout this time I kept writing songs. Some of the songs came to me in my dreams. I’d wake up at stupid o clock in the morning with a melody and/or some lyrics in my head. I’d be convinced for a few minutes the song was already invented, but they never were – so I would record the melody or lyrics on my phone and then head back to sleep. Some songs were directly about what I was going through with the operation (a song called ‘My Cure’). This song is being used by Cancer Research UK as part of their upcoming 'Stand Up to Cancer'campaign.

Another song was about psychological depression (‘A later not to miss’) but taking note from the Beatles 'Help', I recorded it as an uptempo number to hide the misery that lay within. I was in a relationship which was rocky prior to and during the above, so quite a few love stories about falling in love, being in love, breaking up.

I also wrote a lullaby for my young daughter (named 'Lullabye'). Three of the songs were co-written at a song writing retreat with Scandinavian girls. They are very pretty (the songs and the girls). With their involvement, it made sense to record the album in Ascot and Malmo in Sweden in June, July of 2017.

I released the album in August 2017. For me, Cancer and facial palsy was not the end of a dream – My songs start in my dreams and I think my musical dream is nearer its beginning than its end. That journey continues and I'm playing live at least once a week and starting to write more songs.

'My Cure' may not have actually been My Cure, but it was damn good therapy and it helped me vocalise the positive spirit and mindfullness that helped me get out of that hospital bed, hold my head up high, stand on my own two feet and sing louder and with more heart than I'd ever sung before.

Read more and/or contact me at http://jamesparkinmusic.com or http://facebook.com/jamesparkinmusic

Monday, November 20, 2017

CONTROLRadioUK Reviews: Blindsided



Written By DRead Pirates



Blindsided is the second single by Sharon West. Her first outing being the subliminally catchy "Breathe", which i really liked, i must confess.

Blindsided continues where Breathe left off. It has that country feel about it, wonderful lyrics and a melody to die for. Like it's predecessor, "Blindsided" is a beautiful song full of hooks dancing all over the place, with a bathing in sunshine groove about it. Helped even more, by a stellar production.

Sharon West is a very talented songwriter and one to look out for. She has the gift for well thought out lyrics, and hypnotic melodies that leave you in no doubt that she's here to stay.

Blindsided is infused with a good feel vocal and has a moreish production value.

Sharon West has not blindsided me in the least. Listening to her latest effort, I've seen the light, and oh, doesn't that light look good.

CONTROLRadioUK Note: Sharon West is an Artist who has recently joined our ever growing playlist.

CONTROLRadioUK Reviews: The Thrill Of It All





Written By DRead Pirates

Sam Smith's new album The Thrill Of It All, gets off to a sterling start with the opening track "Pray", that staccato at the beginning almost lets you know the song will be dope and boy is it. Wonderful vocals by Sam dripping with pure emotion on this one. Sam is the male version of Adele, on top of his game right now. Pray for the sinners Sam, because you nailed this song with it's strong crisp production that does not compete with the vocals, but blends in with it like coffee goes with cream.

"Burning"
a slow burner, if you can excuse the pun, oozing with a raw emotion, rarely heard by many male singers these days.Sam hits those high notes with ease. With a piano piano guiding the song and lyrics to die for. This is yet another epic Sam track.

"Too Good At Goodbyes" takes you to another place with it's crisp and punchy production values driving the melody to a musical heaven and back. Again, beautiful lyrics on this song with a voice that comes along very rarely.


The Thrill Of It All, does what it's intended to do, taking you on a sublime musical journey of well crafted productions, intelligent lyrics, songs that grab you and won't let go. Oh, that voice Sam, that voice thrills me to no end.

CONTROLRadioUK Picks 5 Songs You May Not Have Heard Of





Here at CONTROLRadioUK we're always on the look-out for music be it for the playlist, or just because we think the tracks are pretty neat so check out our picks below.



You're probably tired of me saying this by now, but I love Bishop Briggs. Her music is like a breath of fresh air. Musicians who mix different genres of music together are also something that I love (I know! I hide it well) mixing genres together just makes the song a little less predictable, and more pleasing to listen to. Here we have a really great video, accompanied by the aforementioned great music, and a song that is equally as strong lyrically. It's extremely emotional & perfectly matched by Bishop Brigg's acting in the video. That's right! You can have a video that doesn't really have a story have a story in the actions taking place on screen and the emotion being carried through by the singer. Still just as powerful. Still has you constantly pressing replay because you don't want the song to end.



I talked about this song a little bit in my review of the EP which will be live later today, but this really is my favorite song on the album. It's such a chilled out song and I absolutely adore the chorus. Sometimes the big power numbers which take the roof off the building work, especially when they're so well produced. But so do the softer ones that let the lyrics shine front and centre, which is exactly what this song does. Given music right now is dominated my stupid house tropical beats I was bored of after the first go, it's great to see an Artist doing something different & the 80's pop classic vibe really suits them. It's been likened to Carly Rae Jepsen's album 'E*MO*TION', but the EP reminds me more of Allie X. Either way, I hope Aly & AJ are here to stay and a full length album comes at some point in the future.



Is this here as an excuse to talk about the album? Partly but it's also because I'm really excited about new music from Tove Lo. Strange I know, considering 'Lady Wood' only came out last year. But Tove Lo is one of those musicians who I always need more from. She's incapable of making a bad song, each one has something unique to it, and her music videos are really fun. As for 'Cycles', it's again a song many can emphasize with though you probably wouldn't admit it. Musically this is one of the songs on the album that doesn't exactly grab me. But I could still listen to this on repeat all day without getting bored.



I came across this song very much by accident as I wanted a fun dance number amongst all the balladesque songs this week, and oh my. This video is trippy as hell, but damn if I haven't had this song on repeat. As I say it is a really fun dance number, and not riddled by stupid tropical beats (No I'm never going to stop mentioning my hatred for them because Producers can do better). 'Go Bang' falls more into the line of being an instrumental dance song. It does have a bit of lyrics scattered across, but it's very much the music that makes the song tick. Having said that, this song wouldn't be anywhere near as great as it is without those lyrics in the chorus. They're repetitive & go absolutely nowhere, but the vocals lift the music up and I just love it. There is a minute sample & watching the video as you listen to this song will probably give you a headache. This song though should be ruling your Friday night playlist.



Speaking of videos that don't really have a storyline but the acting by the Artist puts the emotions of the song across so well you're basically traumatized, here's Paramore. I bought the album 'After Laughter' a few months ago now and this is one of my favorite songs on the album, so I'm really happy it's been chosen as a single. Can I help wondering what this song would sound like as a Rock ballad? No, and the beginning really doesn't help quell that curiosity. But this song is a perfect example of having a storyline where it doesn't, and really taking advantage of the songs lyrics. Hayley's just walking around like we all do, surrounded by a world full of people putting on a happy face. Eventually she becomes one of those people. Sounds simple enough but honestly, if you can listen to this song and watch the video without having your heart ripped out, you're basically not human.

Tuesday, November 14, 2017

CONTROLRadioUK Reviews: Reputation





It's really hard to describe this album as something other than noise. I could try decent production, with great music and really, really, really, awful lyrics. Even that doesn't do justice to how awful this album is.

Maybe it's because I'm not in Taylor's demographic or a real fan of hers. Taylor's the type of Artist I hear about through her domination of the news, songs breaking music channels repeat buttons & becoming embedded into the head, and Google Play giving away '1989', which I happily snapped up.

The message for this album seems to be that Taylor, for better or worse, has a reputation in the media. It's one she's taking head on, and creating her own narrative. Unfortunately I can't tell exactly what that narrative is, because her songwriting skills still leave much to be desired.

This is an album that she has completely co-written, and you can very much tell. 'Look What You Made me Do' was great in its visuals, and that very much made up for the songs lack of complete depth. Unfortunately 'Ready For It', the albums second single, doesn't have said visuals to cover up whatever Taylor's babbling on about.

I'd say 'Call It What You Want' is even worse, but the whole album in general is awful lyrically. The only thing that saves it from being completely abysmal, is the music.

It's actually a travesty that such great music is wasted on such empty lyrics.

Take 'Getaway Car' for example.

Musically it has the makings of a power ballad. Some strong lyrics + a powerhouse voice, and that songs ripping the roof off your house. Instead the chorus is half-decent at best and the rest of it is just awful.

That's not helped by the song seemingly referring to her short-lived relationship with Tom Hiddleston. Or to be more precise, leaving Calvin Haris for Tom Hiddleston, fully in the knowledge that she didn't have any real feelings for Tom & he was just an excuse for the break-up. From Taylor this type of message in a song is standard. Her relationships, in all their ups and downs, is what she's been writing about since she first came onto the music scene.

But she's not a teenage girl anymore. She's a grown adult, and songwriters are supposed to get better as they grow older, not worse. Jack Antanoff doesn't get off scot-free here either. He shares writing credit with Taylor on the track, and given the depth of his discography, he should've been able to point out the lyrics are terrible & done a better job helping her transform them.

'This Is Why We Can't Have Nice Things'
is a song that after multiple listens, I still refuse to believe is actually real. The title's just too childish. 'End Game' which features Ed Sheeran and Future is admittedly the one track from the album I haven't subjected my ears to. The only thing I care for less than today's stereotypical rap drab is Ed Sheeran.

The only song out of the whole album that walks away with any credibility & really should be a single at some point is 'Don't Blame Me'. Musically it's perfection, the chorus is catchy as hell and the rest of the lyrics? Not too bad. Again, in different hands this song would be a powerhouse.

Which I suppose brings me to another issue I have with Taylor - the girl really can't sing well. Whenever she attempts the high notes, it's like an off-key cat is torturing you. This is a comment I have seen a lot of people make, with questions of why she doesn't take some singing lessons.

Her voice is perfectly suited for Country music, but she's decided Pop is her thing now. In theory that's fine, plenty of Artists change their musical styles as they evolve, but they usually have the voice to back them up.

'Reputation' will obviously be a massive hit. Taylor has the dedicated fan-base to make that so. But in every other way, this album is a massive failure and I will forever be weeping for how badly this music has been wasted.